Author(s): Ezgi TOKDÄ°L, Tuba GÃLTEKÄ°N
The aim of the study is to analyze the image qualities of contemporary science, defined as paradigms and ordinary science activities in the philosophy of science, under the influence of postmodern thought and postmodern artistic discourse, and to analyze the relation between science-philosophy-art trialectics and the ways of thinking. In this respect, firstly, the concrete reflections of paradigmatic approach in the philosophy of science and understanding of science are examined, the reflections of contemporary thought in the field of philosophy and the new forms of expression of information society in the field of art are analyzed in a relational manner. As a result of the research, it is evidenced by the studies taken by sampling that the contemporary thought changes and transforms the scientific plane as well as the artistic plane, and the new techniques and forms of expression bring the creation of scientific thought closer to the scientific thought at the same time. In this direction, after examining the social structure of the era, informationalism and the related art tendencies, a new relationship is established on reality by taking the basic starting point of the research as the fundamentalist point of the research, the mobilistic tradition which is the thinking form of the informationalist paradigm and the variable understanding of reality which Deleuze expresses as 'organless body'
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