PERCEPTION OF BODY AND SPACE FROM 1950 TO PRESENT IN THE DEPICTION OF CONCIOUS AND UNCONCIOUS BEAUTY APPROACHES IN MENDELSON'S ?LETTERS ON SENTIMENTS?

Abstract

Author(s): Tuba GLTEK?N, Ezgi TOKD?L

In the research, it is aimed that the changing appearances of body and space perception in the daily artistic approach from 1950 is solved by Mendelson's "Letters On Sentiments" work with integrity.The general screening model, one of qualitive research methods, was used in the research. The universe of the research is the changing appearance of the body and space after 1950 and onwords. At the same time, research has been limited to the the figure analyzes of artists such as Robert Raushenberg, Jasper Johns, and Andy Warhol as well as spatial analysis of Tuba Gültekin ve Ezgi Tokdil in their essay projects.The theoretical framework is the mental representation of body and space perception in relation to the senses in the context of Meldelson's philosophical discourse. The data obtained in this thematic approach define the artistic expressions of conscious and unconscious beauty approaches in the second basic stage. By making a causal comparison with the findings obtained in this process, the variables of sensory intuition and artist orientation in body and space perception in beauty approach were reached as a result. The theoretical framework is the mental representation of body and space perception in relation to the senses in the context of Mendelson's philosophical discourse. The data obtained in this thematic approach define the artistic expressions of conscious and unconscious beauty approaches in the second basic stage. By making a causal comparison with the findings obtained in this process, the variables of sensory intuition and artist orientation in body and space perception in beauty approach were reached as a result.

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