HISTORICAL PROCESS AND FORM ANALYSIS OF THE MUVA??AH CHARGE IN THE TWENTY CENTURY ENDULUS POPULAR MUSIC

Abstract

Author(s): Emel DEM?RGEN

Muvashshah is a kind of poem which is usually written for composing. The word Muvash?ah is derived from the word i? vi?ah gelen which means ku?ak the belt decorated with precious stones used by women ”. Muvash?ah is called “ve??ah Muvashshah type poetry is also called “tev?ih” art. Although there is no clear information about who organized it, it appears as an immature form towards the end of the ninth century. Mu???ah, which developed in the tenth century, was taken to the East by Ibn Senâ el-Mulk (1155-1211) at the end of the eleventh century. It consists of parts with its own terminology such as matla, devr, simt, kufl, gusn, beyt, and harce. The most important of these sections is the fee. Harce (output) in Muvashshah is considered to be the same value as the matla (input) in the casing. In addition to Arabic, there is a poetry and song type that has been the subject of many Eastern and Western researches due to the presence of muva??ah in languages such as Spanish and Hebrew. There are basically four objectives of this study; To examine the historical process of the term Muvashshah in the Eastern and Western literature, to learn its place in the medieval song and lyrical tradition and to examine the form of the muvashshah song with its varieties. Path Dependence was used as the method in this study. The results of the obtained data are presented as headings in the study

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